Shaun Crit; Giulia Suma, Carl Garner and myself
- Catherine Aspin
- Mar 31, 2017
- 1 min read
I had hung my 3 large flower drawings along side the colourful canvases by Carl and surrounding a long cloak on a mannequin made by Giulia.
The clock was covered in different faces and monsters and was almost a metaphor for wearing emotions, It was made out of canvas material and was life size and wearable, the material which gave it a stiffness meant it could hang well in a specific way and the material contrasted well with the red mannequin, the canvases made by carl were approximately 2ftx3ft and were covered in a mixture of colour patterns, different brush strokes and textures which contrasted well with the block white of the canvas, they made the white gallery walls pop.
The different pieces all worked well together because they all individually had some sort of colour pop.
The only problem encountered was getting the projector right for my opening flower piece as it needed to be a certain size and looked quite messy with a large plinth in the middle of the room, but it was soon solved and worked well.

Recent Posts
See All"Even on its side I constantly recognised objects and the fine blooms of dusk was missing. Now I could see clearly that objects harmed my...
"Earliest recognitions of abstraction began to circulate in the atmosphere around Delacriox" 'Homage to Delacriox' (1836) by Fantin...